There Are Mountains Beneath Us

When she applied to receive an Odyssey, Tiu de Haan had already lived many lives. While currently, she was a ritual designer and creative coach, Tiu had been dreaming of establishing a residency for experiential-focused works. She embodied the essence of “pronoia” –the sense that the universe was conspiring to do good things for her–and even though she didn’t have a romantic or business partner, living parents or children, she was surrounded by incredibly rich friendships. 

One month before her Odyssey, she was set to turn 50 and surpass the age her mother was when she died of cardiac arrest. Her Odyssey centered around the question of how we could help her begin to picture her life when she no longer had templates of what it might look like from within her own family. How could we help her plant the seeds of the legacy she had been dreaming of for years, and find a balance of her intuition and will to make it happen? 

As a counterpoint to her pronoia, her Odyssey began with a series of ridiculous failures. A sculpture of toilet paper that spelled TIU. A shitty picnic (or the “shit-nic”) with squished strawberries and pre-packaged croissants. As the chaos faded, Tiu was spoiled like a Queen and given her dream breakfast in a charming waffle kitchen in the back of a camper van. There she was invited to tend to the vision of her residency and clarify her role. From there, she was brought to an arboretum where she learned about the vision of the two proprietors who had been slowly tending to their vision over many decades. Through a series of challenges, she was sent on a quest to fortify her persistence, before she planted a tree of her own in the arboretum. 

In the final scene of Tiu’s Odyssey, she arrived at the residency she had dreamed of, celebrating its 20th anniversary. Tiu would be 75. The dinner was honoring Tiu’s legacy and had an eerily real feeling. It did not feel like an exercise in imagining the future, or a game of pretend. There was truth in this future: the team who made her Odyssey had become a community of artists and collaborators in their week together, bound by that place and by Tiu. Her legacy was already unfolding and had been her whole life in the way she affected people. 

LOCATIONS

Locations: Le Jardin Anglais, Chapelle Notre Dame de la Motte, La Cude Arboretum, Château Gressoux.

CREDITS

Directed by Ayden LeRoux, Sophie Larsmon. Creative Development Team: Ayden LeRoux, Sophie Larsmon, Abraham Burickson, and Alex Todaro. Master Class Fellows: Maggi Asbjørnsen, Mira Azram, Sarah Brown, Christopher Daniel, Abbygäelle Devriese, Lina Edris, James Lopez, Anna Nalpantidis, Brian Rush, Amy Segreti, Casey Selden, Alexander Todaro, and Kristen Witte.

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