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After Trump: Why Art Must Go On

I woke up this morning uncertain how I would be able to attend the book release of the book I co-wrote with Ayden LeRoux. It seemed frivolous, like painting the house while Vesuvius is erupting. Add to that the performance I’m producing with the Odyssey Works team this weekend — a thirty-six hour long experience for an audience of one person — an experience aimed at the subtle narratives of that person’s existence, at the interplay between meaning and states of perception, at the potency of empathy. How to do such a thing when facing the reality that a man who has admitted to sexual assault, reveled in racism, and celebrated his megalomaniacal narcissism is now poised to be our commander-in-chief?

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